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English
80B
Section #002504
Wed., 6 p.m.
LA-15
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Class Webpage http://hal.ucr.edu/~cathy/s00-80b.html
Teacher: Cathy
Decker
Office: LA-7C
Phone: 909-941-2412
Mailbox: LA-10
Office Hours: Mon. and
Thurs. 1:45-2:45; Mon. 12-12:30; Wed. 4:30-5:00
Email: cathy@citrus.ucr.edu
FAX: 909-941-2632 (general Chaffey fax, specify Dr. Decker, English Department)
Dear Students,
Welcome to English 80B, a semester of reading, discussing, and writing about great British literature! We are going to spend five weeks on each of three eras--the Romantics, the Victorians, and the Moderns. Many of the poems we will read you will have already heard of or perhaps have read at one time. In addition, we will read some famous prose and one classic play. Many great novels of this period have been made into films, and I encourage you to watch as many of these films as possible. I will only have time to show us two or three and a few selected scenes and documentaries.
To be successful in this class, you need to not only read all of the material, but understand it. This means using a dictionary and, on occasion, an encyclopedia. British literature uses a vast, precise, vivid vocabulary. Without learning the meaning of many of these words that are never used in common American speech, it is impossible to understand or appreciate many sentences of prose or stanzas of poetry. Once you improve your vocabulary, reading and enjoying literature becomes much easier. A good vocabulary is one of the great advantages you can gain from this course.
With best wishes for a productive, healthy semester,
Cathy Decker, Ph.D.
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F
|
D-
|
D |
D+ |
C |
C+ |
B- |
B |
B+ |
A- |
A |
A+ |
| 0-54 |
55-62 |
63-67 |
68-73 |
74-77 |
78-80 |
81-83 |
84-86 |
87-89 |
90-92 |
93-95 |
96-99 |
The Grade Formula
| Assignments Average |
55% |
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Participation Points
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30%
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Final Exam
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15%
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TOTAL
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100%
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What Are Participation Points?
During our first class we will determine what we will
give participation points for. I have already specified a few basic things that will receive points below. When this policy is finalized, I will give
a copy to each class member. Basically I will keep a running tab
of the maximum number of points a person can get. Because the maximum
will be indicative of giving 110%, that number will equal 110% (33 points
out of a possible of 30)! I will then calculate what number of participation
points earns a 100%. What percent of these points that you have is
your participation-point grade. Feel free to email me or come
to office hours to clarify this!
Participation Points
We will give participation points for the following.
1. Arriving at 6 p.m. ready to go
2. Attending college book events
Our Code of Cooperation
As a class, we agree to treat each other in the following way. (We will develop this in the class.)
Required Supplies
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The Longman Anthology of British Literature, Volume 2 in three paperbacks
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Folders and/or 3-Ring Binder for Portfolio, Class Handouts,
Charts, Schedules, Calendar
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Three-hole punch lined paper
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Scantron Sheets as announced in class (available at the College
Bookstore in the Quad)
Policies
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Expect that work turned in on time will be graded in two to three
weeks.
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Expect that I won't return most weekend phone calls until
Mon. and will take a few days to respond to email, snail mail, faxes, and
phone calls.
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Expect that plagiarized work gets zero credit; repeat plagiarizers
fail the class with an F.
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Expect that tests, quizzes, oral work, and such one-time
things will not be rescheduled.
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Expect that when I don't get work at the due date, I enter
a zero in the grade book.
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Expect that if you stop coming to class and don't drop yourself,
you will get an F.
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Expect that I will make mistakes and that copies of all your
work will come in useful at these times.
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Expect that we will deal with adult content in this course.
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Expect that you will feel anxiety about the class--this is a sign you are challenging yourself and learning new things.
Good Things We Want in This Class . . .
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Planning Ahead
Supporting Others
Rewarding Excellence
Cooperativeness
Politeness
Promptness
Good Listening
Assertive Approaches to Problems and Problem Solving
Effective Working with Others
Drinking Water Without Destroying Stuff
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Things that I Avoid and that I'd Like the Class
to Avoid . . .
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Silent Anxiety
Not Asking Questions When You are Worried or Confused
Badgering or Brutally Questioning Others
Leaving Others Out in the Cold
Hostility
Finger Pointing
Noisy Cell Phones and Pagers
Reading the Paper or for Other Classes
Breaking the Food/Drink Policy
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Chart to Track the Class Schedule
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Date
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Reading Assignments to be Done by Now
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Other Homework Due Now
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1/12
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NA
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NA
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1/19
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"Consumers and Commodities" etc. 20-28; "On a Lady's Writing" 31; "The First Fire" 43-44; "Songs of Innocence ..." etc. 110-126; "Woman and Fame" 731-2; "Popular Prose ..." 958-960; "Old China" 972-5; "Jane Austen" etc. 1020-1028
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Write a two-page essay that first explains the major themes of Sense and Sensibility. Then relate three or four of the readings to one theme in a meaningful way.
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1/26
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"The French Revolution ..." 11-15; "The Rights of Man ..." etc. 46-76; "Arthur Young" etc. 99-103; "The Camp" 200-201; "I griev'd for Buonaparte" 361; "Stanzas" and "On This Day ..." 643-4; "The Graves ..." 729-30; "William Cobbett" etc. 1028-1031
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Select any three of the readings and write a two-page essay comparing the ideas and themes of the works.
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2/2
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"We Are Seven" 317-318; "Song" etc. 338-339; "Surprized by Joy" 447; "Adonais" etc. 675-691; "John Keats" 746-8; "Companion Readings" 752-757; "Ode to a Nightingale" 773-775
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TBA
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2/9
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TBA
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TBA
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2/16
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TBA
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TBA
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2/23
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"Charles Dickens" etc. 1394-1452; "Sir Arthur Conan Doyle" etc. 1495-1510
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Select either "A Christmas Carol" or the Sherlock Holmes stories. Write a two or three-page causal analysis giving three supported reasons for the work's continued popularity. Find at least three credible sources published since 1989 that support each of your reasons. Attach copies of the passages that support your reasoning and that you either cite or quote. Document all sources used; use at least seven unique sources.
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3/1
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"The Lady ..." 1189-1194; "Break ..." etc. 1201-1204; "The Splendour Falls" and "Tears ..." 1210-1211; "The Passing of Arthur" 1270-80; "Flower ..." and "Crossing ..." 1281; "Dover Beach" 1634-5;
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TBA
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3/8
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"How do I love ..." 1158; "Robert Browning" etc. 1354-1349; "My Last Duchess" 1351-2; "Home-Thoughts, from Abroad" 1354; "Meeting ..." and "Parting ..." 1358; "Christina Rossetti" etc. 1705-1707; "I Will Go Back ..." 1750-1
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TBA
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3/22
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"God's Grandeur" 1778-9; "The Windhover" 1780; "Walter Pater" 1758-9; "Conclusion" 1763-1765; "Oscar Wilde" 1854-1856; "The Importance of Being Earnest" 1882-1922
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Write a three-page essay in which you first explain Pater's theory of art. Then apply the theory to the work of Rossetti, Hopkins, and Wilde.
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3/29
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TBA
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TBA
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4/5
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"Rupert Brooke" and "The Soldier" 2226; "Seigfried Sassoon" etc. 2239-2244; "Robert Graves" etc. 2279-2294; "World War II ..." etc. 2678-2687
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TBA
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4/12
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"William Butler Yeats"; "The Lake Isle ..."; "No Second Troy"; "The Wild ..."; "Easter 1916"; "The Second Coming" 2305-2313
"Sailing ..." 2315; "The Circus ..." 2328-9; " In Memory ..." 2658-2660
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Select one of the assigned poems. Write a two-page analysis of its meaning and beauty. Document all sources used.
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4/19
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"The Dead" 2352-2379; "T. S. Eliot" etc. 2417-2423; "Journey of the Magi" 2442-2443; "Do Not Go Gentle ..." 2738
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TBA
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4/26
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"Virginia Woolf" 2453-5; "The Lady ..." 2461-2464; "from Chapter 3" etc. 2476-2489; "P.G. Wodehouse" etc. 2643-2656; "Politics ..." 2708-2716
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TBA
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5/3
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TBA
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TBA
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5/10
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Final Exam Preparation
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NA
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5/17
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Final Exam, 6 p.m., LA-15
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NA
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